I suppose there has been plenty spoken about John Mark McMillan's song "How He Loves". Many folks have been fixated on the "sloppy wet kiss" vs. "unforeseen kiss" controversy. I understand why – it's provocative language that is often left to a listener's interpretation.
In leading worship for my youth group, "How He Loves" (sloppy wet version) is a treasured, oft-requested song. Our youth director actually used the song as the basis for a sermon series for our youth worship time. Until yesterday, I had not presented this song to my congregation.
I have recently unfairly represented a section of my congregation as the "folded arm ministry". The suggestion is that they are closed to contemporary worship music and cross their arms in an illustration of their disapproval. While there is a grain of truth here, one could argue that their worship leader has not always presented songs in a manner that permits them to appreciate the songs.
During the summer months, our choirs (handbells, chancel, and worship) go on hiatus. We sing our three hymns, accompanied by organ, but the anthem is offered by a congregant in the form of "special music". I was tagged to provide special music yesterday (Sunday, June 27).
My wife encouraged me to sing "How He Loves". I was skeptical. She argued that, because it is important to the youth, it should be shared with the congregation. They should understand that our youth group doesn't just gather, play games, and plan on new ways to spend the church's money – our youth regularly and thoughtfully worships. She was right – she's usually right (don't tell her I said so, or I'll deny it).
Last week, as I traveled for work, I spent the evening time in my hotel room working on the song. I did something different this time, though. I dedicated a large chunk of time to considering and practicing my introduction for the song. In my opinion, "How He Loves" is a great song, and to just "dump" it in their laps would be unfair both to them and to the song.
So yesterday morning, I took the stage, picked up my guitar, and adjusted the microphone. I greeted the church. I introduced the song. I spoke about the All About Worship roundtable discussion last Fall where I first learn of "that" song. I told them about Jared Anderson's beautiful cover from his "Live At My Church" album, the version I shared with our youth director. I described introducing the song to the youth group and the importance of the song to their worship time. I prepared them to hear "sloppy wet kiss" by providing context. I encouraged them to not shy from the lyric but to embrace the intent. Finally, I played the song…
I had to fight the urge to cry when I sang the first line…"And He is jealous for me". I was already overcome and fully engaged in worship. I had to continue to remind myself to worship horizontally and to include the congregation. I had to step away from the microphone as I belted "We are His portion, and He is our prize". Blood rushed to my head as it only does when I feel a distinct and visceral connection with God and with my fellow believers.
When the infamous kiss lyric came, I didn't shy away, but I did take an extra moment to observe the reaction. No shock. No folded arms. No heads shaking in disapproval. Instead, people were nodding. People were engaged in worship. I invited them to sing the chorus with me as the song was winding down. And they did.
I played the final chord and thanked the congregation. I placed my guitar back in the stand, turned the volume down on the pedal, and took my place in the house next to my wife. Her eyes were red and puffy from crying. I didn't understand why, but I suspected it had something to do with the song.
After the service, I was approached by a number of people of all ages. Many were people who have been openly critical of contemporary worship music in the past. They thanked me for sharing. They remarked on what a beautiful song it was. One gentleman commented, "It was nice you finally let yourself go". I didn't get a chance to ask him what he meant, but I think I know: I had stopped apologizing and just worshipped, honestly and openly. And it was contagious.
Later that day, as Vanessa and I were going about our Sunday errands, I asked her why she appeared upset when the song was over. She replied with something that I found extraordinarily kind. She commented that she felt had just witnessed a glimpse of our future. She felt she had just participated in a real worship experience, led by her husband. She no longer doubts that this is my calling. We held hands.
